"By using this material, the artist both celebrated the beauty of a mortal woman and transformed her into a transcendent being," reads one description of a mukudj mask in the museum's collection. The Punu people in Central Africa would use Kaolin, a soft white clay, to color artifacts and masks.Īccording to the Metropolitan Museum of Art, Kaolin was taken from riverbeds and "associated with healing and with a spiritual, ancestral realm of existence." The use of white paint - or possibly clay - in these early scenes may be a powerful reference to African spiritualism.įor the Luba people, located throughout much of south-central Democratic Republic of the Congo, royal sculptures and symbols would be covered in white powder, symbolizing a spiritual connection to ancestors. White is a prominent color during the performance of "Bigger."
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